In one 1989 edition of Musician magazine, one could find both Tone Loc and the Replacements defending themselves against the charge. “People get panicky when you’re not their little pocket group anymore—their favorite little group that only they know about,” said the Replacements’ Paul Westerberg, “People panic whenever things change,” added guitarist Slim Dunlap. “If you try and stay pigeonholed and please the old fans, that’s the kiss of death. You can’t please everybody. But we didn’t sell out, I know that … What is a sellout, anyway?”


https://slate.com/culture/2017/07/the-history-of-calling-artists-sellouts.html
In one 1989 edition of Musician magazine, one could find both Tone Loc and the Replacements defending themselves against the charge. “People get panicky when you’re not their little pocket group anymore—their favorite little group that only they know about,” said the Replacements’ Paul Westerberg, “People panic whenever things change,” added guitarist Slim Dunlap. “If you try and stay pigeonholed and please the old fans, that’s the kiss of death. You can’t please everybody. But we didn’t sell out, I know that … What is a sellout, anyway?” https://slate.com/culture/2017/07/the-history-of-calling-artists-sellouts.html
SLATE.COM
The Rise and Fall of the “Sellout”
The history of the epithet, from its rise among leftists and jazz critics and folkies to its recent fall from favor.
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